Download PDF To Paint Her Life: Charlotte Salomon in the Nazi Era, by Mary Lowenthal Felstiner
Download PDF To Paint Her Life: Charlotte Salomon in the Nazi Era, by Mary Lowenthal Felstiner
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To Paint Her Life: Charlotte Salomon in the Nazi Era, by Mary Lowenthal Felstiner
Download PDF To Paint Her Life: Charlotte Salomon in the Nazi Era, by Mary Lowenthal Felstiner
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From the Publisher
A remarkable biography of a Jewish artist whose vivid autobiographical portraits provide a stunning look at her life as a woman, an artist, and a Jew during the Holocaust.
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Product details
Paperback: 304 pages
Publisher: Perennial; Reprint edition (May 1, 1995)
Language: English
ISBN-10: 0060926287
ISBN-13: 978-0060926281
Product Dimensions:
6.2 x 1 x 9.2 inches
Shipping Weight: 12 ounces
Average Customer Review:
5.0 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#1,245,845 in Books (See Top 100 in Books)
This book is fascinating. It was thoroughly researched, and gives a compelling account of the effects of the rise of the Nazi movement and the slow and excruciating restrictions on the Jews living in Berlin, particularly this one family of the Salomons. Although I studied art history, I had never heard of Charlotte Salomon until a friend told me of an exhibit she'd seen of her work in San Francisco. After learning about her and looking at her very personal paintings, I felt as if I'd discovered the Jewish Frida Kahlo. Like Kahlo, Salomon's work is biographical and very, very personal. Obviously it is not surreal like Kahlos, but still I felt this artist was driven "to paint her life" and left us with a wonderful gift of her work.
I have the big full size version which I consider a very great book. A truly inspiring experience to read and meditate on.Many awakening experiences reached through this book.
I found a copy of To Paint Her Life quite by chance at Shakespeare and Co. in Paris. I had no previous knowledge of the author or the subject of the book, and I wasn't sure why I was drawn to it. It was the only book I purchased there. I adored it. It is a rich description of Charlotte Salomon's life -- including but not limited to her life as an artist -- under the Nazis, about her remarkable art itself, and about, well, life itself. I relished everything about this book and hated to finish it. I cannot recommend it highly enough. It enriched my life, and it stays with me years later.
In the early 1980's, while browsing the discount table at my favorite bookstore of the time (Orr Books in Uptown Minneapolis, RIP), I stumbled on this huge art book from Viking Press simply titled Charlotte, which featured the entirety of German Jewish artist Charlotte Salomon's magnum opus, Life? Or Theater? This autobiographical work consists of 769 unforgettably expressive and powerful gouache paintings with accompanying text, covering in rich detail her childhood in Berlin, dark family secrets of multiple suicides, her education in art school, and her obsessive love affair with her stepmother's brilliant but eccentric voice teacher, all against the backdrop of the growing menace of the Nazi regime. Salomon, desperate to create meaning out of the chaos and despair of her life and times, worked obsessively from 1941-1943 to complete her story while living in exile in France. Some months after completing the work she was ultimately captured and killed by the Nazis in late 1943. Thankfully, her work was saved. Charlotte and Life Or Theater made a huge impact on me and I've kept them close to my heart ever since. Charlotte is still not as well known as she should be, though over the years there have been more and more exhibitions of Life or Theater internationally and even a non-fiction film or two covering her life and work. I tell people about her all the time, but the book, being the doorstop that it is, is not an easy lender.Then, in late 1998, while visiting London, I chanced upon a poster in the Tube station advertising an exhibit of Life? Or Theater? at the Royal Academy, going on right then, that very month! I dragged my boyfriend of the time there, posthaste. The power of seeing Charlotte's paintings in front of me - something I hadn't ever thought would happen - was indescribable. I left the gallery overcome with emotion, barely able to speak for a time (the BF was very understanding). To this day it's the shining moment of all my years of museum and gallery hopping - the closest I've ever had to experiencing the Stendhal Syndrome. I since have really come to see Life or Theater as an early graphic novel; perhaps that is why its inspiration has been so powerful to me. The blending of words and pictures to tell a story, there's nothing else like it.Anyway, this book by Mary Lowenthal Felstiner - the one I'm supposed to be commenting upon here - is a valuable companion to the art book discussed above, filling in many of the biographical blanks that Charlotte's mix of fiction and fact work couldn't possibly have offered, and providing a more detailed portrait of the times in which she lived, worked, and died. Reading about the atrocities of the Nazi regime is always extremely painful and infuriating, but Ms. Felstiner interweaves all this history, biography, and analysis quite artfully, reminding us in the end that Charlotte's art has lived on, triumphantly (Never Forget, as we are always reminded). Anyone who has appreciated Salomon's work will undoubtedly find this a necessary read. Five stars.
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